Film, life and everything in between

Sunday, March 30, 2014

Trailerblazing -- X-Men: Days of Future Past/Transformers: Age of Extinction/Jupiter Ascending

X-Men: Days of Future Past -- May 23, 2014 -- directed by Bryan Singer -- starring Patrick Stewart, Ian McKellen, Hugh Jackman, Michael Fassbender, James McAvoy, Jennifer Lawrence, Nicholas Hoult, Peter Dinklage

  
The first word that comes to mind is DARK. This film seems much more somber than the past X-Men films, with possibly the exception of The Last Stand. Pure darkness envelops this trailer, as though the story were a neverending symphony of grief and triumph. The stakes are indeed higher for the characters than they had been in First Class, with the mutants uniting to fight the threat of Bolivar Trask and his murderous Sentinels. On that note, I am looking forward to Dinklage's portrayal, as I am to the return of the original cinematic X-Men and Singer as director. I do hope that the film brings back the sense of wonder that First Class had in spades, and that it continues developing the arc of Magneto's evolution, giving Fassbender another opportunity to stretch his talent. May cannot come fast enough.

Transformers: Age of Extinction -- June 27, 2014 -- directed by Michael Bay -- starring Mark Wahlberg, Nicola Peltz, Stanley Tucci, Bingbing Li, Kelsey Grammer


What to say about this one? For starters, it will take Independence Day weekend in box office digits. Every element of this thing is designed to do exactly that. No matter what you may think, it will happen. Every other July 4 weekend release will be left in the dust, because that is what the Transformers do, no matter how painful they are to watch. Next, this actioner seems like classic Bay -- flags waving, colors popping, big shots walking in slow mo, the works. It can be a good thing, but it can also be pure boredom if that is all you have. When it comes to the Transformers blockbusters, I am not asking for much, only good entertainment, and the endless tedium of the 2011 film had disappointed me in that regard. To be honest, Age of Extinction does seem better than the abysmal Dark of the Moon, but do not get too excited because a) that is another type of low standard right there and b) a reboot does not necessarily equal new and fresh. Expect a whole lot of explosions, cool cars and 3D jumping out in full glory on the IMAX screen. I sure hope the filmmakers had remembered that a dynamic story was essential, though. 

Jupiter Ascending -- July 18, 2014 -- directed by Andy Wachowski and Lana Wachowski -- starring Mila Kunis, Channing Tatum, Douglas Booth, Sean Bean, Eddie Redmayne


Let's face it. We are in it for the amazing visuals, such as the power-of-the-universe scenes, the space fights, the gorgeous costumes and THOSE dragons -- apparently, Daenerys Targaryen has got nothing on the Wachowskis. In terms of story, the film does not seem too original, but it definitely looks unique. It blends innocuous camp aesthetics with a story of love and destiny, which is not a shabby way to spend a summer afternoon. As far as I can see, Kunis and Tatum share appealing chemistry, which is certainly going to be one of the make-it-or-break-it factors. Furthermore, I have always liked the Wachowskis' villains and Redmayne's character appears to be a good addition to the canon. This beautiful trailer reminds us what kind of works IMAX 3D was made for. You just know that Jupiter Ascending is going to be a feast for the eyes. I am looking forward to July. 

Sunday, March 16, 2014

Weekly Review -- Game without end

The Hunger Games: Catching Fire (2013) -- Sequels can either be fine continuations of the original story or, if we are talking trilogies, filler films that simply lead us to the better finale. Director Francis Lawrence's Catching Fire belongs in the former category as both a fantastic adaptation and, for those unfamiliar with the novels, an exciting and thought-provoking adventure.

**THIS REVIEW CONTAINS SPOILERS**

After their unprecedented Hunger Games win, Katniss Everdeen (Jennifer Lawrence) and Peeta Mellark (Josh Hutcherson) have but one task -- to distract Panem's citizens and quash the rebellion brewing in the districts. What they do not expect, though, is President Snow (Donald Sutherland) changing the rules for the special Games event, the 75th Quarter Quell... 

The best part about Catching Fire is that the film is as sprawling as the novel. From the grit of the districts to the Capitol's decadence, from Katniss's inspired wardrobe to the dangerously lush arena, the story and the visuals remain true to Suzanne Collins's original. The sequences that did not make their way to the screen prove not to be essential to the narrative; some of them might even have slowed the proceedings down. The only gripe I have is with the missing Plutarch's watch sequence, but I do understand its exclusion for moviegoers not versed in the novels, since including it would have been a major spoiler. One detail I loved was Snow's granddaughter's resemblance to Katniss's sister Prim, which was a delightfully ironic touch. The first film had also shown us its share of these little additions that bring the story closer to the cinema medium and fill in the blanks for those entering this universe for the first time.  

As with The Hunger Games, the actors breathe life perfectly into the characters. Lawrence alternates between Katniss's strengths and weaknesses with ease, while Hutcherson is lovable as Peeta, a boy who does everything in his power to save those he loves. Jena Malone is a force to be reckoned with as Johanna Mason, a former winner whose tough facade hides unrelenting anger at the Capitol and its machinations. Jeffrey Wright and Amanda Plummer are good additions as the genius inventors Beetee and Wiress, and Sam Claflin finds the gentle soul underneath Finnick Odair's cocky exterior. However, we get to see more of Snow this time around and I have to say that Sutherland takes the cake when it comes to acting chops. We already knew that Snow was unadulterated evil and here he manages to expand his repertoire. In keeping with his tradition of toying with people, he establishes a personal vendetta against Katniss, his malevolence going against her courage and making for some extremely effective verbal duels between Sutherland and Lawrence. I also enjoyed Sutherland's exchanges with the late Philip Seymour Hoffman, whose turn as gamemaker Plutarch Heavensbee adds to the lineup of his always memorable performances.

The Hunger Games: Catching Fire is not only a thrilling film with a tightly woven screenplay, but also a tribute -- if you would please excuse the pun -- to the intricate dystopia that Collins had created. Francis Lawrence does an admirable job taking over from Gary Ross, and I am glad to see that he will be back for both parts of Mockingjay. There is much joy in anticipating an adaptation of an impressive novel, just like there is much satisfaction in seeing a wild and intriguing world leap off the page. 

10/10

Sunday, March 09, 2014

The Funny Side of the Sun

There are not too many shows boasting the quality of writing and acting that keeps them afloat with audiences and critics for years. There are even fewer ones that break new ground exploring topics that other and less courageous souls would not dare touch with a six-foot pole.  

Shows that change your life? Only one for me.

In the fall of 2013, I had been thinking about numerous things, as one does. My writing, Christmas stuff, my job, new films and reviews, the various facets of death...

Yes, that is correct. Without going into detail, I had just come off of a summer that revolved around one extremely close call and an actual death in the family. The concept of passing did not touch me for the first time, but I had almost forgotten how empty it made me feel, almost being the operative word. Now it was palpable in every molecule of the air that I inhaled. It had crossed my path, rammed into me and spun me around the safety of my axis, its hollow voice telling me that the presence was never far away, that we were all merely a breath away from disappearing, that human existence was a sugarcoated illusion, that it all meant nothing. The worries and what ifs toyed with my feelings, making me feel like Sisyphus when forcing myself to push the intrusions away. As a sensitive human being with the best family in the world, I had a natural reaction to shocking events; however, the reaction kept evolving into an ugly beast, into a force that was trying to overwhelm me. I am an inherently optimistic person and these thoughts were not close to taking over my days or escalating in any way, but I wanted them out of my head.  

I remembered finding out earlier that an actor I liked was a fan of a comedy series I had heard about, but never watched -- "It's Always Sunny in Philadelphia". For some reason, I had never seen a single episode. All I knew was that the story revolved around a group of friends hanging out in a Philadelphia bar. Why not?, I thought.

It did not take more than a couple of episodes for the DVR to become my best friend.

I started watching daily. The language and comedy resonated, making me wonder about what I had been missing for eight years. The humor was the lens through which our world's insanities were dissected, something I had never seen on television, or at least not done in such an unmanicured way. The locations and cinematography reminded me of indie films made in the early 2000s, nearly pulverized since by the advent of the recession and the almighty blockbuster. Having always been a wacky combo of reserved, sensitive, quirky and friendly, I found subliminal freedom in the bluntness and the bizarre antics of characters that did not know the meaning of apology. Everything about this show was HONEST. In an over-the-top manner, it presented to us people who had not quite figured out their place in society. These were people attempting -- however clumsily and without scruples -- to find out where they belonged, all the while showing that they were as gullible in the bigger scheme of things as they were debauched on a more narrow plane. As warped as their views were, more often than not it was the external realm that was frightening in its depravity. 

People like us... they don't get got. -- Dennis
("Mac and Dennis Buy a Timeshare")
  
Then it hit me.

I was crushing on a TV show.

I was crushing on the subversive conversations that five lovable misfits were having, the uncompromising defiance that wove through many of the Gang's actions and much of the dialogue, the unstoppable Day/DeVito/Howerton/McElhenney/Olson train of talent, the fact that I could not stop laughing. I even fell for the rustic carelessness of Paddy's Pub and the squalor of Charlie's apartment because, seriously, who wouldn't?

As I watched, I found out the story behind the story. Exasperated by the lack of good roles and seeking more control over the creative process, actor Rob McElhenney had created "Always Sunny" and developed it with friend and fellow actor Glenn Howerton. The tale of four sharp-tongued, slightly sociopathic friends hopping in and out of trouble found its home on the FX network in 2005 and has only grown in popularity over the years. The leads ponder, write, edit and act, and I know that they could take over the planet if they wanted to. Toward the end of the first season, the show was close to cancellation; someone over at FX had brains to spare, though, since they decided to give it more time and more room to grow. I would like to kiss this person and give them a bear hug.

No words can express how much Mac, Dennis, Dee, Charlie, Frank and their plays on absurdity have captivated me. While watching the home makeover parody "The Gang Gets Extreme: Home Makeover", my jaw literally hurt from laughing. The Pretty Woman mockumentary -- as I like to call it -- "Frank's Pretty Woman" nearly made me fall off the couch. "The Gang Exploits a Miracle", a sidesplitting send-up of religious influence and evangelist anti-culture, was one of the best episodes of any show that I had ever seen. I was giggling every day and loving every second.

Charlie: It's a sign.
Father Matthew: It's... a stain.
("The Gang Exploits a Miracle")

An aspect of "Always Sunny" that I do not think gets much attention is the underlying love that these characters have for each other. They may lie, cheat, steal, throw one another under the bus and ruin people's lives (Rickety Cricket!). They may act impulsively or greedily guard their own interests; still, there is a strong undercurrent of attachment running through the dark hijinks. At the end of the day, the friends stay close to one another and, considering the twisted families that they had come from, their makeshift family is all that they have. Misunderstood by outsiders as much as they are insufferable to them, the group inevitably return to their circle after each of their plans has fallen through. Just check out "The Gang Hits the Road", "Charlie and Dee Find Love" and "A Very Sunny Christmas". When it comes to affection, the Gang are alone together and damn happy about it.

 Dennis: How exactly do you view yourself in the context of our group?
Mac: The... Sheriff of Paddy's.
("The Gang Hits the Road")

It needs to be said that "Always Sunny" should not only be recognized for its humor, but also for its treatment of social issues. I am talking specifically about LGBTQ topics. When it comes to these issues, the writing is sublime. Far from being ambiguous, the portrayals of same-sex relationships and potential same-sex relationships are done in a matter-of-fact way, one that acknowledges but does not single out characters based on their sexual orientation. "Will & Grace" and "Sex and the City" had done their thing in terms of bringing the LGBTQ community into the mainstream consciousness but, in the 21st century, we need a show that does not even make a distinction. "Always Sunny" gives us numerous moments between male characters where something might happen and something might not -- hey, you never know, right? There is a relationship between Mac and a transsexual character, as well as a terrific story arc for the latter. There is a wonderful episode called "Mac Fights Gay Marriage" about obstacles that gay couples face when fighting for rights taken for granted by many. When asked on "Late Night with Conan O'Brien" in September whether the principal characters may be gay, Charlie Day laconically stated that "everyone might be gay", with McElhenney and Howerton adding that "everybody is a little bit gay." Truer words were never spoken. We are all people, living in the same world, dealing with the same problems day in and day out. Do you really measure attraction in estrogen or testosterone? Does anyone really care if two consenting adults are in a relationship? Be whoever you want to be and love whoever you want, that is the message here. Talk about a show being ahead of its time. 

As a brand new fan, I had been unaware of the metaphor behind one of the best episodes. "The Gang Tries Desperately to Win an Award" follows the group as they try to revamp their style in order to be considered for the best Philadelphia bar, simultaneously pondering the value of compromising integrity for the sake of being acknowledged. When I discovered that the Emmys had somehow succeeded in overlooking this show in the major categories year in and year out, I figured that the Emmys required an eye doctor rendezvous pronto. The sophistication, intelligence and eloquence of "Always Sunny" has no match in any other half-hour or hour block on television. The lack of recognition brings me to one of the most important things that this show can teach you -- the relevance of doing what you do and doing things your way, no matter how kooky it may seem to others. Most smartest indeed.

What's with all the loud fake color? I mean, where's the subtlety? -- Mac
("The Gang Tries Desperately to Win an Award")

My only regret is that I have been missing this gem for eight years. Not only had I barely known anything about "Always Sunny", I did not have access to FX -- now suspiciously transmorphed into FXX -- for a while either. Hell, I did not watch much TV or follow TV happenings until probably 2007. Thank you, TV people, for syndication. It is never too late.

Then again, "Always Sunny" came into my life at the exact moment when I needed more... well, sunshine. It is safe to say that my crush has long grown into a full-blown love affair. Currently, I have more than 30 episodes on my DVR. Everything else can go, but my Philly stays. I stopped watching some other shows so that I could keep recording it. If anyone from this cast ever happens to make a film that involves reading a phone book and nothing else, I will be the first in line. I still have occasional thoughts with the potential to spin out of control, but now I also have these guys. Whether it is my DVR and DVD library, the soundtrack on my iPod or their dialogue in my head, I can always count on Mac, Dennis, Dee, Charlie and Frank to tell my sadness to take a hike.

The fact of the matter is that this magical bunch did not just make me laugh. 

They unburdened me.

And for that I am eternally grateful. Thank you, Mr. Day, Mr. Howerton and Mr. McElhenney, for a show that layers more levels of humanity than I can count and for making me cry with laughter. Thank you, Ms. Kaitlin Olson, for being one of the bravest, most beautiful comediennes that I have ever seen. Thank you, Mr. Danny DeVito, for playing one of TV's biggest fraudsters to perfection. Thank you, Ms. Mary Elizabeth Ellis, for your straight-faced humor and no-nonsense attitude. Thank you, Gang, for reminding me that life's lunacies are the same for everyone and for reminding me not to take life or myself too seriously. Your show has helped me through one of the roughest times that I have ever had and it means so much to me that it is difficult to put into words. It turned my world around and changed my perspective on every single thing that I had been grappling with. Simply put, "It's Always Sunny in Philadelphia" will forever be more than the best show I have ever seen. It is endearing, zany, edgy, hilarious brilliance that inspires me and hugs my soul.

It goes without saying that I am never gonna give you up.

Sunday, March 02, 2014

Weekly Review -- The meaning of choices

About Time (2013) -- Not too many films delve into our world's mysteries with heartbreaking gusto. Richard Curtis's About Time is one such gem, boasting wonderful performances in the context of a life-affirming tale. Into the sea of award-oriented dramas and money-generating blockbusters comes a sweet, tender film about existence and the choices that it demands we make.

On his 21st birthday, Tim (Domhnall Gleeson) discovers that men from his family can travel through time. After falling in love with Mary (Rachel McAdams), Tim uses the ability to alter certain details of their lives, but gets too caught up in the excitement... 

The film takes the notions of life and romance and turns them upside down with Tim's very first trip down the rabbit hole. We might think that it would be too easy to be able to go back, fix a mistake and act like nothing had happened. Well... too easy is right. There are always reasons for our actions and the consequences of playing with the time and space continuum would certainly be dire, as Tim eventually finds out. Each trip brings about changes that he might not necessarily have wished for, but that are unavoidable when shifting the course of the familiar path. In other words, Tim's ability happens to be a predicament. It is a catalyst for a cautionary tale about living in the past, reminding us that going forward is the only way to go and the only direction that we can take. 

The acting is one of the film's most appealing elements. As Tim, Gleeson finds the perfect balance between innocence and curiosity. He was also incredible in "Be Right Back", an episode of the British techno-prescient series "Black Mirror", for those of you who would like to seek him out further. McAdams has found a sort of niche in romantic dramas, and here her Mary's zest for life and love provides a great counterpoint to Tim's secret. The always fantastic Bill Nighy gives an endearing performance as Tim's father, who teaches his son the most important lesson that he can ever hope to learn. 

Some might dismiss About Time as yet another sugary romcom. However, the film is anything but a standard boy-meets-girl sapfest. The story is about each one of our choices being pivotal to moving forward. If you could change the past, would you inevitably alter the good as well as the bad? Do you choose to live in the past or boldly go toward the future? Choose wisely because, in the end, time waits for no one. 

10/10